Volledige tekst tonen2 pagina's
Pagina 1
Bekijk in PDF(opent in een nieuw venster)from: Music and Deep Memory: Speculations in ancient mathematics, tuning, and tradition, in memoriam
Ernest G. McClain.
THE GEODETIC AND
MUSICOLOGICAL
SIGNIFICANCE OF THE
SHORTER SIDE LENGTH
OF THE PARTHENON
AS HEKATOMPEDON OR
‘HUNDRED-FOOTER’
Richard HEATH
This note responds to Kapraff and
McClain’s preceding paper, in which they
discover a many-faceted musical symbolism in
the Parthenon. Specifically, Ernst Berger’s
new measurements include the shorter side of
the triple pedestal of the monument as an
accurate length to represent one second of the
double meridian of the earth. By applying a
knowledge of ancient metrology, Anne Bulckens’
doctoral derivations of a root foot can resolve to
a pygme of 9/8 feet, of which one second of
latitude would contain 90 such feet. However, as
a ‘hundred footer ’, the foot length should then
be 81/80 (1.0125) feet, the ratio of the
syntonic comma. This would indicate a
replacement, by Classical times, of the
geographical constant of 1.01376 feet within
the model of the earth since the original model,
by the late megalithic, assumed that the meridian
was exactly half of the mean circumference of
the earth. These alternative geographical
constants
co-incidentally
represent
the
ubiquitous theme in ancient musicology of the
transition between Pythagorean and just
tunings and their respective commas.
It has been thought that a term used in Archaic
Greek to define the size of a sacred building, the
‘hundred footer ’ or hekatompedon , could refer to
its area being equal to 10,000 square feet, which in
a square building would be 100 feet on each side.
The Parthenon, the sides of which are in the ratio
of 9:4, has an area 36 so that as a square it would be
six on a side and, if these were 100 cubits of 3/2
feet, then the four sides of the Parthenon would be
100 feet wide.
Instead, recent measurements in 1982 by Ernst
Berger1 found that the width of the top surface
of the stylobyte was just over 101.25 feet and that
the most frequently occurring length was 857.6
mm. Anne Bulckens’2 corresponding foot measure
for this would be a step of 2.5 feet, each of 9/8
(1.0125) feet (to one part in 2500). This unit is well
within the range of foot lengths within historical
metrology, and is called a pygme after the size of
small men, first mentioned when Herakles was
travelling back from India3. The four sides of the
Parthenon would then be 90 such feet across.
However, should the four sides be divided by
100, the required foot length of 101.25 feet, divided
by one hundred, becomes a microvariation of the
English foot, namely 81/80 (1.0125) feet; a length
which is identical with the syntonic comma which is
itself a ratio crucial to the history of ancient tuning
theory, as the ratio found between them are pure
Pythagorean tones and their counterparts within
just tuning, in which string lengths are given
specific whole number lengths to specify their
pitches, intellectually.
A recent article by Jay Kapraff and Ernest
McClain4 observes that the width of the Parthenon
symbolically defined one second of latitude (taking
surface lengths as linear fractions of latitude) if a
double meridian length had been estimated to be
1
Berger, E., ed. (1986) Parthenon-Kongress Basel, 2 Vols,
Mainz: Philipp von Zabern.
2
Bulckens, A.M. (1999) The Parthenon’s Main
Design Proportion and its Meaning, [Ph.D. Dissertation],
Geelong: Deakin University, 269 pp. ; (2001) The Parthenon’s
Symmetry in Symmetry: Art and Science (Fifth Interdisciplinary
Symmetry Congress and Exhibition of the ISIS-Symmetry), (Sydney,
2001), no. 1-2, pp. 38-41.
3
Philostrates of Lemnos (c. 190 – c. 230 AD)
Imagines Heracles among the Pygmies, see Loeb Classical
Library
4
The Proportional System of the Parthenon, in
preparation for the In Memoriam volume for Ernest McClain
Pagina 2
Bekijk in PDF(opent in een nieuw venster)THE GEODETIC AND MUSICOLOGICAL SIGNIFICANCE OF THE PARTHENON
close to its modern estimation (being then within
0.003%). This implies that geodetic design was
intended for the four sides of the Parthenon, as
smaller than the north south circumference of the
earth by one 3,600th of one 360th part. This means the
implied geodetic metrology of the Parthenon can
be compared with monuments built two thousand
years earlier, such as Stonehenge and the Great
Pyramid of Giza, within which the relationship of
the mean earth was specified relative to the polar
radius, using the same metrological system.
In the ancient model of the earth, recovered5
by John Neal6 and John Michell7, three different
approximations of π were used to allow for the
distortion of the rotating planet over what its mean,
or perfectly spherical, circumference would be. In
that model, the circumference of the mean earth
was taken as being identical to the actual, doublemeridian length, both lengths then assumed to be
44 times 126 (131,383.296) feet or 24,883.2 miles.
Were the Parthenon to have been built using
this model then its four sides would be 101.376
feet in length and one hundredth of this would
be a foot of 1.01376 feet, a foot known as the
‘Standard Geographical Greek foot 8’. (This
fraction of 1.01376 (3168/3125) is called the
geographical constant because it relates to
variation of north-south degree lengths of
latitude due to the shape of the earth9, and does
not define the meridian as equalling half the
length of the mean earth’s circumference.)
The double meridian in the model (equal to
the mean circumference of the earth) was 24,883.2
miles long while a modern estimate for the double
Meridian length is 24,859.868 miles and this is
within one part in 3,200 of the ratio between the
feet 1.01376 (3168/3125) and 1.0125, the 81/80
foot that would make the Parthenon a ‘hundred
5
Michell by 1980 and Neal, fully formed, by 2000.
6
Neal, John (2000) All Done With Mirrors, Secret
Academy, London.
7
Michell, John (1982) Ancient Metrology, Pentacle
Books, Bristol, 1982; (2008 new ed.) Dimensions of Paradise,
Inner Traditions: Rochester.
8
Using the terminology developed by John Michel
and John Neal.
9
A day in angle on the Equator was defined as being
360,000 feet whilst the north-south mean degree (at 51 degrees)
was 360,000 longer feet, namely of Greek geographical feet of
1.01376 feet.
footer’. It is therefore reasonable to assume that,
between the building of Stonehenge and Great
Pyramid (by 2,500 B.C.) and the building of the
Parthenon (designed by 447 B.C.), an actual length
for the Meridian had been measured and that this
had superseded the assumption, within the old
model, that the meridian was half the length of the
mean earth circumference.
Further to this, one can see how the transition
from Pythagorean to just tuning systems10 is
strangely present in the relationship between the
mean earth circumference and the actual meridian
length, since the geographical constant of 1.01376
is near identical to the Pythagorean comma of
1.0136433 while the (chosen) ratio 1.0125 is
the syntonic comma and this, times 100, is near
identical to the actual length of one second of
latitude which would be 100 times 1.0128 feet11,
just one third of an inch different from a more
modern exactitude.
The Parthenon ‘Hundred footer’ was able to
dimensionally reference one second of the
Meridian by having its shorter sides one hundred
feet of 1.0125 feet long. Aligned to north, this
presented accurate Classical knowledge of the
Meridian’s length. The monument expresses other
musicological features via its metrology: the 81/80
foot unit is 125/128 of the Athenian foot of
1.0368 feet, a musical interval called the minor
diesis, also found within just intonation and
equaling the deficiency of three major thirds to the
octave.
10 The latter prevalent in other aspects of the
monument, see Kappraff, J. and McClain, E.G. (2005: Spring–
Fall) The Proportions of the Parthenon: A work of musically
inspired architecture, Music in Art: International Journal for Music
Iconography, Vol. 30/1–2.
11 A non-harmonic 79/78 feet.