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Sansone David. 1997. Hormippus, Fragment 22 Wehr IllinoisClassica Studies 22: 51-64.
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Ver en el PDF(se abre en una ventana nueva)Hermippus, Fragment 22 Wehrli
Josephus (Contra Apionem 1. 164) quotes Hermippus as saying that
Pythagoras claimed that the soul of one of his deceased followers, Calliphon
of Croton, used to remain at his side night and day, and that he—the text is
not explicit as to whether the subject is Pythagoras or the soul of
Calliphon—used to utter the following precepts: “Do not pass through a
place where an ass has collapsed; keep away from the thirsty waters; avoid
all blasphemy” (pù diépyeoBar tomov Ep’ Sv <div> Svog OKAGOY Kai TOV
Siyiov Vddtov anexeodon Kai néons anéxew PAaoenpiac). Hermippus
goes on to say that these precepts have been taken over from the Jews and
the Thracians. My colleague Howard Jacobson! has argued that there are
indeed Jewish elements in all three precepts, and that the injunction to avoid
the thirsty waters is a reflection of the verse Exodus 23. 7: “Avoid all
falsehood.” The attractiveness of this suggestion lies in the fact that, as
Jacobson has shown, there are parallels to the two other precepts in the
immediate biblical vicinity, namely at Exodus 22. 27 and 23. 5. But there is
a difficulty with this view: Water does not appear in Exodus 23. 7, nor is
falsehood mentioned by Hermippus. Jacobson addresses this issue by
pointing out a number of passages from ancient Jewish commentators that
illustrate the association between, on the one hand, good waters and truth
and, on the other, bad waters and falsehood. But there is no evidence that
this association was made in connection with this particular passage from
Exodus, and Jacobson is forced to hypothesize a source (otherwise
unattested) for Hermippus that took as its point of departure Exodus 23. 7
and then “proceeded in routine exegetical fashion to make an analogy .. .
between falsehood and water that does not satisfy one’s thirst.” This
explanation of the passage from Hermippus seems to have satisfied Louis
! H. Jacobson, “Hermippus, Pythagoras and the Jews,” Revue des études juives 135 (1976)
145-49. I should like to thank Professor Jacobson for his characteristically incisive comments
on a draft of the present piece, comments that have caused me to reconsider or rephrase in a
number of instances. I am also indebted to my colleague Miroslav Marcovich, who kindly read
and commented on a draft and who provided several useful comments and suggestions.
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Ver en el PDF(se abre en una ventana nueva)Feldman, who, however, registers some uneasiness over the absence of any
verbal connection between Hermippus and the supposed biblical source.”
There are, | think, further difficulties with this explanation. In the first
place, Jacobson and other commentators have ignored the definite article:
tov Siyiov dóGrov means “the thirsty waters”; i.e. the well-known, or the
previously specified, thirsty waters, rather than thirsty waters in general.? In
the second place, the evidence that Styioc can mean “causing thirst” (so
LSJ) is not unambiguous.* For this meaning LSJ cite only this passage and
Nicander, Theriaca 147. But “thirst-provoking” is not the only meaning
possible in the latter passage. Nicander uses the word to describe the ony, a
kind of reptile. The scholiast comments: dtyrog dè o Enpos diù 10 un nap’
vóaródeo: Tönoıg PaivecBar, GAA’ Ev dpervoîg: À O roròv Siyav Toig
Saxvopévorc. The latter explanation is clearly a guess. The former is
surely correct:
Nicander provides a gloss on the epithet when he writes
(155-56) noA&eg 8° &pcBoror pryévtes / onetpn Aenpbvovran KAıvöönevor
yanéBoior. It is not, 1 think, until the time of Nonnus that we find fairly
good evidence for diyıog = “causing thirst.” Finally, even if tà Siwa
Vôata could mean “waters that cause thirst” in Hellenistic Greek, there is
surely no need for an injunction instructing anyone to avoid them.
For these reasons I am convinced that dıytov is corrupt. Jacobson’s
introduction of the notion of falsehood is attractive and, while I recognize
that the absence of a reference to water in Exodus 23. 7 remains a problem,
I should like to suggest that Hermippus wrote tOv payidiov dbôdrov
anéxeodar.
matter.
Whether this is what Josephus wrote is, however, another
We are dependent for the text of Contra Apionem on a
single,
mediocre eleventh-century manuscript (and its apographa) as well as on a
Latin version, written in the sixth century at the instigation of Cassiodorus.?
? L. H. Feldman, Josephus and Modern Scholarship (1937-1980) (Berlin 1984) 395-96:
“Admittedly, the interpretation of the last passage is rather remote from the literal meaning, but
we may comment that the fact that all three passages are in such close proximity to one another
makes it more likely that this particular portion of Exodus is Pythagoras’ source.”
3 This seems to have made Walter Burkert uncomfortable; when he refers to this passage
and translates the precept (“one ... should avoid ‘thirst-causing water””), he conveniently
omits the definite article from his Greek quotation: W. Burkert, Lore and Science in Ancient
Pythagoreanism, Engl. transl. (Cambridge, MA 1972) 173 with
n. 59.
4I take it that the entries in Hesychius Siytov: Bhantikôv and ôtyar- BAd&yor are no more
reliable, and no more basedin reality, than the entry yon: gBeipau, BAcyau; cf. H. Erbse,
Beiträge zur Überlieferung der Iliasscholien, Zetemata 24 (Munich 1960) 242.
5 Thisis the renderingin A. S. F. Gow and A. F. Scholfield, Nicander. The Poems and
Poetical Fragments (Cambridge 1953) 37.
6 See the Paraphr. loann. 4. 24 (John 4. 6) öiyıog &pn, cited in Stephanus’ Thesaurus. In
the Dionysiaca, Nonnus twice uses the expression ôtytov 5ôwp (15. 13 and 27. 186). W. Peek,
Lexikon zu den Dionysiaka des Nonnos 1 (Berlin 1968) 411 translates “spirlich” in both
instances. F. Vian disagrees, and notes (on Dion. 27. 186), “l’eau est ‘assoiffée’ puisqu’ elle a
fait place à la poussière; en 15,13, au contraire, elle est ‘assoiffante’, parce qu’ elle a été
changée en vin.” Thus, even the evidence of Nonnus is not entirely clear, and it is in any case
dangerous to use it to support the usage of Hermippus, who lived in the third century B.C.
7 For the text of the Latin version, see the edition by C. Boysen, in volume 37 (Vienna 1898)
of the Corpus Scriptorum Ecclesiasticorum Latinorum.
Página 4
Ver en el PDF(se abre en una ventana nueva)It is difficult to say whether the author of the Latin version read Swiwv in
his Vorlage, as he translates ab aqua fetulenta (i.e. faeculenta). It is just
possible, however, that he was translating payidiov: Two of the passages
cited in the TLL to illustrate faeculentus—both of them, as it happens, from
the sixth century—feature a contrast between faeculentia and “truth.”® In
any case, it is, if anything, even less likely that he was translating $wyiwv.
The suggested corruption, from payidiov to dSiyiev, is readily accounted
for. The word pawidtos is a poeticism which might well be unfamiliar to,
and was certainly not expected by, a scribe copying the text of Josephus. It
was easily replaced, through a process that combined psychological factors
with lipography and anagrammatism,? by the common word Siy1og, which
is often encountered in contexts containing the word 5S@p.
Now, the question remains: What are tà payidia 6ôata? They are, I
suggest, the waters of falsehood that the souls of the dead are encouraged to
avoid. The words tóv nayıdiov vdatwv Anexeodaı form the end of a
hexameter line, and there are several hexameter texts, some of which have
only recently been published, that give a series of directions for the souls of
the deceased to follow.!% Specifically, the souls are instructed to avoid the
water of a spring next to which stands a white cypress.!! They are
instructed to go instead to the pool of Mnemosyne, and it is from this pool
that they are to drink the cold waters. But the waters have guards stationed
over them, and the souls are required to tell the guards the whole truth
(n&ioav dAnbeinv on the gold plaque from Petelia) before they are allowed
to drink.
We have, therefore, two sources of water. One is the pool of
Mnemosyne, associated with truth, from which the souls are to drink. The
other is to be avoided. It is, clearly, Lethe.!? Whether rightly or not, the
8 Cassiodorus, Expositio Psalmorum 3. 22 (= CCSL 97.271.436-37) purissimam veritatem
nemo faeculenta voluntate conturbat, Fulgentius, Ad Trasamundum 1. 5. 2 (= CCSL
91.102.215-18) faeculentae quippe carnis inguinamenta non sensit, qui ad suscipiendam
veram
sub.
iam carnis et
eand
dam
carnis faeculentiam venit.
? Compare the comments of A. Dain, Les manuscrits, 3rd ed. (Paris 1975) 40-52.
10 The texts are most conveniently collected by R. Janko, “Forgetfulness in the Golden
Tablets of Memory,” CQ 34 (1984) 89-100.
Janko’s article should be consulted for full
references to the authoritative publications.
11 See lines 4-7 of the “long archetype” as reconstructed by Janko (previous note) 99. The
significance of the cypress (as well as its description as white) is unclear, see G. Zuntz,
Persephone: Three Essays on Religion and Thought in Magna Graecia (Oxford 1971) 373,
385. But it is interesting in this connection that, according to Diogenes Laertius, Hermippus
reportedin his book about Pythagoras that the followers of nz avoided using coffins
made of cypress wood: Hermippus, fr. 23 Wehrli = D.L. 8. 10 (thisis the same work on
Pythagoras as the one from which Josephus quotes).
!2 So H. R. Willoughby, Pagan Regeneration: A Study of Mystery Initiations in the GraecoRoman World (Chicago 1929) 106. Cf. Kaibel, Epigrammata Graeca 204. 11 oùk émov
Ann "Audwvidog Eoxarov
V8wp, 414. 10 Kai Añóns odx ¿mov Aıßada, AP 7. 346. 4 tod
AñOncEn’ noi ph tu ning nönartog.
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Ver en el PDF(se abre en una ventana nueva)ancient Greeks regarded &AnQe1a as derived from a + An0-,!3 so that the
two sources represented an opposition, not only between memory and
forgetfulness, but between truth and falsehood as well.!4 This latter
opposition is reflected, and is expressed in characteristically Platonic terms,
in the eschatological myth in Plato’s Phaedrus (247c-48b).
There a
distinction is made between the souls of the gods, which are capable of
contemplating Truth, and other souls, which are able to follow the souls of
the gods with only varying degrees of success.
These latter, though they
strive mightily to see the Plain of Truth (tó dAnBeías rediov), are
disappointed of their hope to behold reality (&teAeig tig tod Svtog Béas
àrépyovtor) and must satisfy themselves instead with the deceptive food of
conjecture (tpoph ôoËaotn). The Plain of Truth is clearly intended as the
counterpart to the Plain of Forgetfulness (AnÖng or AnBaiov rediov: Ar.
Ran. 186, PI. Resp. 62la, Thgn. 1216). It is obvious why Plato, with his
doctrine of anamnesis, would wish to condemn forgetfulness and to view it
as the opposite of truth. But the same view would be congenial to all those
who, like the Pythagoreans, held to the doctrine of metempsychosis.!5
Pythagorean (as well as “Orphic”) elements have been detected in the
hexameter texts that supply directions to the souls of the dead, and it would
not be out of character for one of these texts to instruct the souls to avoid
the waters of Lethe by instructing them t@v payrdtov bôdrov anexeodon.
In addition, these hexameter texts contain references to the mysteries,
and Plato’s myth also is conveyed in terminology drawn from the mysteries
(cf. &teAeic). It is interesting to note that at least one of the other precepts
that Hermippus preserves also has a connection with the mysteries, although
it must be admitted that the nature of that connection is quite obscure. The
instruction not to pass through a place where an ass has collapsed reminds
13 M. Detienne, “La notion mythique d'AAHOEIA,” REG 73 (1960) 27-35, E. Heitsch, “Die
nicht-philosophische ¿AñBera,” Hermes 90 (1962) 24-33 and “Wahrheit als Erinnerung,”
Hermes 91 (1963) 36-52; H. D. Rankin, “A-AHOEIA in Plato,” Glotta 41 (1963) 51-54; T.
Cole, “Archaic Truth,” QUCC 13 (1983) 7-28.
14 The expression payidia dato should be regarded as the poetic equivalent of VSwp
wevdéc, which we find at LXX Jer. 15. 18 (bc Údwp wevdés odx Exov niotiv). That passage
apparently refers to water that is “deceptive” or “untrustworthy” in the sense thal the source is
liable to failure; cf. W. L. Holladay, Jeremiah 1: A Commentary on the Book of the Prophet
Jeremiah Chapters 1-25 (Philadelphia 1986) 462. In this connection it is particularly
interesting to note that the water from the pool of Mnemosyne iis regularly referred to as “everflowing”: kpávas aieıpöw on the gold leafin Malibu, xpàvag aierpów or kpávas aievá on
the gold leaves from Eleutherna; cf. further E. Rohde, Psyche: The Cult of Souls and Belief
in
Immortality among the Greeks, Engl. transl. (London 1925) 575 n. 151.
(Cf. also, perhaps,
Aristeas Judaeus 279 &évvaov pvñunv.) I am inclined to agree with T. G. Tucker's note on
Ar. Ran. 146 (ox&p &eivov): “an obvious burlesque of something more dignified, e.g. 6ôwp
aeivav.”
15 For the positive evaluation of memory among the Pythagoreans and the desire to avoid
the waters of Lethe, see Burkert (above, note 3) 213.
Cf. also J.-P. Vernant, “Aspects
mythiques de la mémoire en Grèce,” Journal de Psychologie 56 (1959) 1-29 and “Le fleuve
‘Amélès’ et la ‘Mélétè Thanatou’,” Revue Philosophique 150 (1960) 163-79; these two articles
appear in English translationin J.-P. Vernant, Myth and Thought Among the Greeks (London
1983) 75-105 and 106-23.
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Ver en el PDF(se abre en una ventana nueva)us that the ass has connections not only with the mysteries, but with the
underworld as well.!9 The ass of Ocnus was depicted in Polygnotus’
painting of the underworld!’ and one of the infernal place-names mentioned
by Charon in the Frogs is the mysterious Ass-Fleece.!® Aristophanes’
comedy also provides evidence that asses were somehow connected with
the mysteries. When Heracles begins to talk about the initiates, the slave
Xanthias says (Ran. 159), vn tov Ai’ ¿yo yodv Óvoc dyo pvotipia.
Michael Tierney has convincingly shown that 6vos is the title of one of the
levels of initiation into the mysteries.!? And this is surely relevant to the
fact that the asinine hero of Apuleius’ Metamorphoses is initiated into the
mysteries of Isis. But Aristophanes also introduces a literal ass into the
opening scene of Frogs. The slave Xanthias complains about the burden he
is carrying, but Dionysus tells him that, so far from bearing a burden,
Xanthias is himself being borne by the ass. Xanthias protests, saying that
his shoulder is oppressed by the weight of the baggage. Dionysus responds
by saying, “Well, since you claim that the ass is of no use to you, lift up the
ass and take your turn carrying it.”20 This is not merely, as W. B. Stanford
puts it in his note ad loc., “a pleasant reductio ad absurdum of Xanthias’s
argument.” It is a complete non sequitur. For, if the ass is of no use to
Xanthias, he should leave it behind, and not carry it. The absurdity of the
reversal—this is one of many such in this play—may have been adequate
for Aristophanes’ humorous purposes. But the passage gains additional
point if Aristophanes and his audience were familiar with an injunction to
give assistance (ut ita dicam) to a suffering ass. And this is precisely how
Jacobson explains Hermippus’ Pythagorean precept, saying, “the dictum
enjoins not to pass a place where an ass has collapsed, i.e. one should stop
and give help.” Jacobson refers to Exodus 23. 5 in this connection, the
Septuagint text of which reads as follows: ¿dv Sè YSy¢ to brofúyiov tod
&yOpod cov nentwKds bro TOV yónov adtoDd, où rapedevon QT, GAAG
16 See the exhaustive treatment of the evidence, both literary and archaeological, by E.
Keuls, “The Ass in the Cult of Dionysus as a Symbol of Toil and Suffering,” Anthropological
Journal of Canada 8.1 (1970) 26-46; cf. also F. Olck, “Esel,” RE VI.1 (1907) 626-76, esp.
651-53, and I. Opel, “Esel,” Reallexikon für Antike und Christentum VI (1966) 564-95.
17 Pausanias 10. 29. 1. See the Appendix, below.
18 Ar. Ran. 186 tig eig to ANOng nedtov, ñ ’¢ 'Ovovróxac; The manuscripts have ôvou
nóxac, of which 'Ovovnöxag is Radermacher’s interpretation. Even if we were to follow
Bergk, as Sommerstein does in his recent edition (Warminster 1996), and read “Oxvov nAoxög,
the reference to the ass would still be felt.
19 M. Tierney, “ONOZ ATQN MYETHPIA,” in Mélanges offerts à M. Octave Navarre
ores 1935) 395-403; cf. also O. Schütz, “Zwei orphische Liturgien,” RhMus 87 (1938)
0’ dgereiv, / Ev TH epeı od tov övov
20 Ar, Ran. 31-32 od 5° odv énei8h tdv Svov od pc
àpépevog pépe. It is possible that Aristophanes is here hinting at the supposed etymological
connection between voc and óvivnus which is explicitly attested later in Artemidorus, Onir.
5. 12 (= 121.3 Pack) and Aelian, Nat. Animal. 11. 35. Compare also, perhaps, Paus. 10. 29. 2
óvnow and Nic. Ther. 348 ardvnvio. (For these last two texts, see the Appendix, below.)
Página 7
Ver en el PDF(se abre en una ventana nueva)ovveyepeig (the original reading of the Codex Vaticanus is cuvapeîc) adt0
pet’ adrod.
But there is clearer and more unambiguous evidence that confirms our
supposition that the injunction concerning the collapsing ass is connected
with the underworld and, most likely, with the mysteries. In the Museo
Nazionale di Palermo is a black-figure lekythos from the end of the sixth, or
the beginning of the fifth, century B.C.2!
Saraceno, near Ravanusa in Sicily.
The vase was found at Monte
The ivy-leaf motif on the vase’s
shoulder indicates a Dionysiac, and possibly initiatory, connection.?? The
scene on the body of the vase shows the underworld, with men and women
carrying vessels of water, one of which is being emptied into a huge pithos.
In front of the pithos is an ass with a bearded old man seated next to it. The
ass has collapsed, fallen forward on its front knees, and some lines on the
vase are taken to represent the ass’ burden, which has fallen to the ground.?3
One of the water-carriers is pulling on the tail of the ass, apparently in an
effort to help it to get back on its feet.?* A scene apparently related to the
one on the lekythos is mentioned in the Cupid and Psyche story in Apuleius’
Metamorphoses. Venus has sent Psyche on an errand to Proserpina, and
Psyche, in despair, decides to end her life by throwing herself from a high
tower (a motif taken from Ar. Ran. 127-33). But the tower remarkably
begins to speak, and gives Psyche directions for her journey to the
underworld. Among the instructions, she is told: “You will meet a lame ass
carrying wood, with a driver lame as well, who will ask you to hand him
some twigs that have fallen off his load. But you must not utter a single
word and must pass by him in silence.”?25 Unlike the souls of the dead,
Psyche is not to give assistance to the driver and his animal, because she is
merely on an errand for Venus and she will in fact return from the
underworld.
:
We see, then, that there is ample evidence connecting asses, and
collapsing asses in particular, with the underworld and with initiates (whose
initiation into the mysteries is intended as a preparation for and anticipation
21 Palermo 996. See E. Keuls, The Water Carriers in Hades (Amsterdam 1974) Plate II and
pages 35-37, with further references.
22 See S. G. Cole, “Voices from Beyond the Grave: Dionysus and the Dead,” in T. H.
Carpenter and C. A. Faraone (eds.), Masks of Dionysus (Ithaca 1993) 279. For “Efeu als
feststehenden Auribut des Dionysos und seines Thiasos,” see A. F. H. Bierl, Dionysos und die
griechische Tragédie, Classica Monacensia 1 (Tübingen 1991) 255.
23 So A. Furtwängler, ArchAnz (1890) 5 and many others.
(The lines are, however,
interpreted as representing water by R. Helm, NJA 33 [1914] 204 n. 4, and as a river of the
underworld by Keuls [above, note 21].) Furtwängler was also the first to associate the scene on
this vase with the passage from Apuleius to be mentioned shortly.
24 Compare the episode narrated in Lucian, Asin. 19: An ass sank down under the weight of
its load and the drivers “beat the poor creature with a stick and told it to get up, but, when it
paid no heed to their blows, some of them seized it by the ears and others by the tail and tried
to get it on its feet” (in M. D. Macleod’s Loeb translation).
u Apul. Mer. 6. 18 (in J. A. Hanson’s Loeb translation).
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Ver en el PDF(se abre en una ventana nueva)of their blessed afterlife).26 The precepts of Hermippus are explicitly
Pythagorean, and the Pythagoreans, no less than the devotees of the various
mystery cults, were very much concerned with the proper behavior of the
soul at death. The injunction to avoid the waters of falsehood evidently
refers to the soul’s journey to the underworld, and the precept concerning
the ass apparently does so as well. The third precept, regarding blasphemy,
is less easy to connect with the mysteries or with the underworld or, indeed,
with Greek ideas in general.?” But we may be justified in finding a hint of
this connection in Plato, whose writings show traces of Pythagorean
influence, and who frequently expresses himself in terms appropriate to the
mysteries.28 In the Phaedo, just before Socrates is to die, he reproaches his
companions for their noisy lamentations and says, &xt’koa Stt Ev edpnpia
xph teAevrav (117e). Franz Cumont has plausibly suggested that this is to
be connected with the Pythagorean prescription, preserved by Iamblichus
(VP 257), regarding blasphemy at the time of death: kat tov Votatov
Katpov maphyyeAAe un BAoopnueiv.?? Further, in the Republic, in the
myth of Er, which is itself unusually rich in Pythagorean elements, we are
told that the priest of Lachesis says to the assembled souls that have come to
choose their lots and model lives, “The person making the choice is
responsible; god takes no responsibility.”3!
It is, as Halliwell says in his
note on this passage, “a Platonic conviction, contradictory of traditional
beliefs, that gods cannot be responsible for evil.” And he, like other
commentators, refers to the related passage in Book 2, where Socrates
argues that, contrary to what most people say, the gods, being good, can
only be responsible for what is good (379b-c). He continues by saying that,
therefore, the blame for evils must be sought elsewhere, and not among the
gods. Although the actual word is not used, this sounds very much like an
injunction against blasphemy. In fact, the word is used a little later in the
same context. After castigating the poets for falsely claiming that the gods
repeatedly transform themselves into (necessarily inferior) forms, Socrates
says that mothers should not terrify their children by telling them stories
about some divinities going about by night in the likeness of all manner of
26 See F. Graf, Eleusis und die orphische Dichtung Athens, Religionsgeschichtliche
Désirs und Vorarbeiten 33 (Berlin 1974) 79.
7 See the (necessarily) limited treatment by H. Merkel, s.v. “Gotteslásterung,” in
PR
fiir Antike und Christentum XI (1981) 1187-88.
28 For Pythagorean influence, see Burkert (above, note 3) 83-96 and passim; for the
terminology of the mysteries, see C. Riedweg, Mysterienterminologie bei Platon, Philon und
Klemens von Alexandrien, Untersuchungen zur antiken Literatur und Geschichte 26 (Berlin
1987) 1-69. In addition to the passages noted below, Phdr. 242b-43a gives a good illustration
of Plato’s sensilivily to blasphemy. There Socrates expresses the need for him to compose a
“palinode,” so that he will not be guilty of ascribing evil qualities to the divinity Eros.
29 F. Cumont, “A propos des dernières paroles de Socrate,” CRAI (1943) 115. Professor
Marcovich has kindly pointed out to me the more general Pythagorean pronouncements
regarding blasphemy at D.L. 8. 21 and 24, lamb. VP 218 and Porph. VP 38.
30 S. Halliwell (ed.), Plato. Republic 10 (Warminster 1988) 169, with further references.
3! Resp. 617e aitia Ehouévou: Beds dvattıog,
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Ver en el PDF(se abre en una ventana nueva)strangers, “so that they will not blaspheme against the gods.”? The stories
that Socrates is referring to are, as Adam points out in his commentary,
those concerning “the bugbears of the nursery—Lamia, Mormo, and
Empusa.” As it happens, Empusa is one of the denizens of the underworld
that Dionysus encounters in Aristophanes’ Frogs (285-96). And, in an
interesting recent article, Christopher Brown has shown that this scene in
the Frogs is part of the pattern of Eleusinian elements that is so prevalent in
the early part of the play.33 According to the evidence collected by Brown,
some kind of apparition of Empusa seems to have materialized for those
who were undergoing initiation into the mysteries.
And so we see that all three of Hermippus’ Pythagorean precepts are
related in one way or another to notions of the soul’s progress in the
underworld and of initiation into the mysteries. This is perhaps not
surprising, considering the fact that they are associated in Josephus’ account
with the notice about the soul of the deceased Calliphon haunting
Pythagoras. To be sure, Fritz Wehrli has denied this association, saying in
his commentary to this fragment,34 “der Bericht über die Erscheinungen
Kalliphons ist von demjenigen iiber pythagoreische Sakralvorschriften zu
trennen.” But this can be maintained only by someone who has ignored (as
Wehrli appears to have done) the context from which this fragment is
extracted. Here is the text of the passage (Ap. 1. 164-65) as it appears in
Henry St. John Thackeray’s Loeb edition:
Aéye toivov [sc. “Eppurrog] Ev
€ TO TPÓTO tOv nepi Tuôayépou BiBAtov
ón Mudayópas, Evög adtod tHv SUVOLELAGTÀV Tehevthoavtos,
tobvopa KaXAip@vtoc tò yévoc Kpotwvictov, thy éxetvov yvxhv EAeye
ovvdiatpipew adiò Kal voxtop kai ped’ huépav, kai Sti tapexedeveto
un Srépxeodar tónov &p’ bv div Övog dkAdon, Kai tov Siyiov dddtov
dréxeodar Kai néong [anéyew] BAacgnpias. ela rpoctiBnor peta.
tadta Kai tbe: “tadta SèExpatte ai EAeye tag ‘Iovdaiwv Kai
Opaxdy SdEacs psobpevoc Kai petapépov eig Eavtov.”
Josephus is here concerned to cite Hermippus as one of several Greek
sources documenting the Greeks’ familiarity with the Jews. His evidence,
which includes citations from Theophrastus, Herodotus, Choerilus of Samos
and others, confines itself—appropriately, for a carefully argued work of
apologetics—to what is strictly relevant. The introduction of Calliphon is
utterly superfluous to Josephus’ purpose, unless there is some connection,
according to Hermippus, between the story about Calliphon and the
32 Resp. 38le iva ph... eig Beodo BAaognLGow. This is the only occurrence in Plato ofa
word from the root BAao@np- outside of the Laws and (if that work is genuine) the second
Alcibiades.
33 C. G. Brown, “Empousa, Dionysus and the Mysteries: Aristophanes, Frogs 285ff.,” CQ
41 (1991) 41-50. For a detailed examination of the Eleusinian features of Frogs, see now A.
M. Bowie, Aristophanes: Myth, Ritual and Comedy (Cambridge 1993) 228-53.
3 E, Wehrli, Die Schule des Aristoteles, Suppl. I: Hermippos der Kallimacheer (Basel 1974)
Página 10
Ver en el PDF(se abre en una ventana nueva)precepts. If Josephus had seen no such connection in Hermippus’ account,
there is no possible reason for him to have bothered to include what
Hermippus had to say about Calliphon. Rather, it is clear that Josephus
reports Hermippus’ having said that, after Calliphon’s death, Pythagoras
and Calliphon’s ghost had some communications with one another, that
these precepts were among those communications and that these precepts
are, ultimately, Jewish and Thracian.
What is not entirely clear, however, is whether Pythagoras conveyed
these precepts to Calliphon or, rather, Calliphon to Pythagoras. On the
whole, translators and commentators have opted for either Pythagoras or
Calliphon as subject of napexeAedero without giving reasons for their
choice. An exception is Maria Timpanaro Cardini,35 who says that the
subject of napexedeveto is Pythagoras, “come appare chiaro dal seguito.”
But I can see nothing in what follows that makes Pythagoras a more likely
subject than Calliphon. Others who take Pythagoras to be the subject
include Fritz Wehrli and Théodore Reinach.% On the other hand, Calliphon
is taken as the subject by Kathleen Freeman and, if I am construing his
English correctly, by Thackeray in his Loeb translation.” For our purposes,
it makes little difference in which way the communication went. In any
event, the precepts were communicated either by or to the soul of someone
recently dead. For a variety of reasons, none of which is perhaps decisive, I
am inclined to believe that the former is the case. To begin with, if
Calliphon was a ouvovotaoths of Pythagoras, one wonders why the
philosopher waited until after his disciple had died to impart these” vital
instructions to him. Indeed, why are we told that Pythagoras conveyed
these precepts specifically to Calliphon, and not to his disciples generally?
If Calliphon were, rather, the source of these precepts, the account would be
perfectly intelligible. And, in fact, the account would conform to a very
common narrative pattern, namely the pattern whereby a person receives a
visit from a supernatural being, and the supernatural being “reveals without
symbolism what will or will not happen, or should or should not be done.”38
35 M. Timpanaro Cardini, Pitagorici. Testimonianze e frammenti I (Florence 1958) 110.
36 Wehrli (above, note 34); T. Reinach, Textes d'auteurs grecs et romains relatifs au
Judaïsme (Paris 1895) 39. In Reinach’s Budé edition (1930) of the work, however, the
translation, which is the work of Léon Blum, makes the soul of Calliphon the subject of
napekekedeto (“qu’il avait commerce nuit et jour avec l'âme de celui-ci, et qu’elle lui donnait
le conseil . . .”).
37 K. Freeman, The Pre-Socratic Philosophers, 2nd ed. (Oxford 1949) 87. Thackeray’s
translation runs: “Hermippus . . . states that the philosopher . . . remarked that his pupil's soul
was with him night and day, and admonished him...” I take the absence of
a pronoun before
“admonished” as an indication that Thackeray considers “his pupil’s soul” to continue as
subject. I am unable to determine from Troiani’s translation whether he takes Calliphon or
Pythagoras as subject: L. Troiani, Commento storico al “Contro Apione” di Giuseppe (Pisa
1977) 236.
38 Macrobius (Somn. Scip. 1. 3. 8), as quoted by E. R. Dodds, The Greeks and the Irrational
(Berkeley 1951) 107.
104 ff., esp. 107-08.
For further examples of this pattern in dream-narratives, see Dodds
Página 11
Ver en el PDF(se abre en una ventana nueva)Most commonly, the supernatural visitor is spoken of as appearing in a
dream but, in fact, the distinction between seeing a dream and seeing the
soul (yvyî or £tôwAov) of someone deceased or the manifestation of a god
is insignificant or even non-existent.3? The pattern is particularly clear in
the case of repeated visits, which I take to be the case here, given the
imperfects (cuvôratpifeiv and nmapexeAeveto) and the expression Kai
vúxtOp Kai LEO” huépav. In the fifth-century tragedy Prometheus Bound,
Io tells us that she was constantly being visited by dreams that urged her to
give in to Zeus’ amorous advances.*% And Herodotus reports that “the same
vision” occurred on three consecutive nights, twice to Xerxes and once to
Artabanus, insisting that the Persians embrace that which is fated and attack
Greece.*! In Euripides’ Hecuba, the ghost of Polydorus has been haunting
his mother for three days, and he tells her indistinctly and the audience
explicitly what is to happen in the near future.*2 And, according to Plato,
Socrates was often visited by “the same dream,” which repeatedly advised
him to make music.43 Even the ghost of Darius in Aeschylus’ Persae, who
enters the stage (681 ff.) asking for information concerning the reason for
the lamentation that he has heard, ends up by giving predictions and advice
at great length.
Indeed, that is the reason the chorus of elders had
summoned him to appear. And, in general, that is the function of visitors
from the other realm, namely to convey to the living what the living are
themselves in no position to know. Granted, the living Pythagoras was no
ordinary living being. But still, the uniformity of this narrative pattern
suggests that the soul of Calliphon is more likely to have been the conveyor
than the recipient of these precepts.
And this inference is supported further by a consideration of one
remaining question, namely whether we can tell if these precepts, of
apparently Jewish origin, reached the Greeks in the time of Pythagoras, or
not until the time of Hermippus.** Unfortunately, it appears that we know
nothing at all about Calliphon apart from what we read in this fragment of
39 See G. Björck, “ONAP IAEIN. De la perception de rêve chez les anciens,” Eranos 44
(1946) 313 for the identity of dreams and eiöwAa. According to A. H. M. Kessels, Studies on
the Dream in Greek Literature (Utrecht 1978) 153, all the dreams that are narrated in detail in
mel Homers poems “are supposed to come either from the gods
. . . or from the dead.”
40 Aieì yap Syerg Evvuyoi moAedpevar ...rapnyépouv 645-46. The words of the dreamfigure are quotedin 647-54.
41 Hdi. 7. 12-17. Note soot) ôvetpov 7. 14, 15. 3 and 17. 1. The words of the dreamfigure, different in each case, are quoted in 12. 2, 14 and 17. 2.
#2 Eur. Hec. 1 ff. Note tpitaiov ÿôn péyyos 32. Polydorus foretells the future in lines 42 ff.
Hecuba indicates that she has had troubling visions (68-72) and requires a Helenus or a
Cassandra (87-89) to interpret them. According to J. Bremmer, The Early Greek Concept of
the Soul (Princeton 1983) 84-85, the souls of the dead “are unable to speak properly,” and he
cites as evidence //. 23. 101, where the soul of Patroclus disappears squeaking. But he neglects
lo mention lines 69-92, where the words that Patroclus speaks to Achilles are given in full.
43 Plato, Phaedo 60e nOAAGKIC por porráv 10 adtd évonviov Ev 10 napeABövtı Bio,
dor" Ev ¿An dyet parvónevov, tà adtà Se A€yov, "N Laxpatec,” Épn, “ovoixhy moter
koi EpyaLov.”
44 So E. Zeller, Die Philosophie der Griechen, Sth ed. (Leipzig 1892) 1.1 302 n. 1.
Página 12
Ver en el PDF(se abre en una ventana nueva)Hermippus. But there seems to be no reason not to identify this man with
the Calliphon named by Herodotus (3. 125. 1) as the father of the famous
physician Democedes. If this is the case, as scholars generally assume,45
then we know from the Suda the additional fact (if it is indeed a fact) that
Calliphon was a priest of Asclepius in Cnidos, and from Herodotus that he
had a nasty temper.* And we know a good deal about Democedes.*?
Democedes was born in Croton, which is the obvious location of the story
connecting his father with Pythagoras, but he travelled widely. According
to Herodotus, he practiced medicine in both Aegina and Athens before
joining the court of Polycrates of Samos. He accompanied Polycrates to
Magnesia, where the tyrant was murdered by the Persian governor Oroetes
and where Democedes was himself taken prisoner. Later, Democedes
became associated with the court of Darius and lived at Susa. He eventually
persuaded Darius to allow him to return home to Croton by way of Sidon,
on a Phoenician ship. When Darius sent Democedes back to Greece he sent
with him presents for Democedes” father and brothers (Hdt. 3. 135. 2), so
that, if Herodotus” narrative preserves anything resembling the truth,
Calliphon was still alive when Democedes returned from his travels and
settled down in Croton to marry the daughter of the wrestler Milo (3. 137.
5). Thus Calliphon had every opportunity available to a Greek citizen of the
sixth century to learn about the practices of his contemporaries in the Near
East. Cnidos had connections in that century with Egypt, being one of the
cities that joined in the construction of the Hellenion near Naucratis (Hdt. 2.
178. 2). And Democedes” various experiences in Persia, Lydia and
Phoenicia will have enabled him to come into contact with the Jews’ closest
neighbors and, most likely, with Jews themselves. And he could well have
communicated some of what he learned to his father Calliphon, who in turn
transmitted that knowledge to his associate Pythagoras, either before or after
his soul was separated from his body.
One final question remains, namely the matter of the Thracians and
their connection with these precepts. For, according to Hermippus,
45 See, e.g., H. Gossen, “Kalliphon 7,” RE X (1917) 1656; Timpanaro Cardini (above, note
35) 108; Burkert (above, note 3) 293 n. 82; B. Centrone, “Calliphon de Crotone,” in
Dictionnaire des philosophes antiques II (Paris 1994) 177. Our Calliphon (1) was from Croton
and (2) associated with Pythagoras. Calliphon’s son Democedes (1) was from Croton and (2)
both he (lamb. VP 257) and his father-in-law Milo (Str. 6. 1. 12 C263; Iamb. VP 104, 249, 267)
associated with Pythagoras. How many Crotoniates named Calliphon can have belonged to
Pythagoras’ circle?
46 Suda A 442 Adler; Hdt. 3. 131. 1.
47 Hat. 3. 125, 129-37; M. Michler, “Demokedes von Kroton: Der älteste Vertreter
westgriechischen Heilkunde,” Gesnerus 23 (1966) 213-29; J. Hofstetter, Die Griechen in
Persien: Prosopographie der Griechen im persischen Reich vor Alexander, Archäologische
Mitteilungen aus Iran, Ergänzungsband 5 (Berlin 1978) no. 79; A. Griffiths, “Democedes of
Croton: A Greek Doctor at the Court of Darius,” Achaemenid History 2 (1987) 37-S1.
Página 13
Ver en el PDF(se abre en una ventana nueva)Pythagoras*® observed and taught these precepts “in imitation of the beliefs
of the Jews and Thracians.” Jacobson has shown that all three of these
precepts have Jewish elements.
What, then, is left for the Thracians?
As
we have seen, the three precepts, at least in their Pythagorean garb, have
associations with the underworld, with the mysteries and with the soul’s
journey after death. These associations are obviously not Jewish. But it is,
of course, quite natural for a Greek writer to attribute them to a Thracian
origin. For Thrace is the home of Orpheus and it is the Thracian Getae
whom Herodotus characterizes as “those who believe in immortality.”%
The story that Hermippus tells about Pythagoras and his subterranean
chamber has clear connections with Herodotus’ account of the Thracian
Zalmoxis.% And, finally, we have evidence at least as early as the fifth
century B.C. for a belief in the existence of a Thracian background to the
Eleusinian Mysteries and to the priestly family of the Eumolpidae.5!
So
that, although we cannot be confident about the reconstruction of the details
of transmission, it looks as though these Jewish precepts were adopted by
some Greeks who had contact with the Near East in the sixth century B.C.,
were combined with the “Thracian” belief in the immortality of the
individual soul, and were taken over into the body of doctrine professed by
the Pythagoreans.
Appendix: The Ass of Ocnus
Pausanias describes in detail Polygnotus’ painting of the underworld in the
Cnidian Lesche at Delphi. Among the figures depicted and described (10.
29. 1-2) is Ocnus, who perpetually plaits a rope, which in turn is
perpetually eaten by an ass that stands next to him. For this figure, see: W.
Felten,
s.v.
“Oknos,”
in LIMC VII.1
(1994)
33-35,
with
further
bibliography, to which should be added W. G. Arnott, “Ocnus, With
Reference to a Passage of Apuleius and to a Black-Figure Lekythos in
Palermo,” C&M 23 (1962) 233-47 and Graf (above, note 26) 188-94
#8 If, that is, Pythagoras is the subject of &rpatte Kai EAeye, as Reinach, Textes (above, note
36) assumes. But if, as I have argued, Calliphon is the subject of napexeAeveto, he could just
as well be the subject of Emparte Kai EAeye also.
4° Hdt. 4. 93 Tétag tods dBavatitoviag. Cf. PI. Chrm. 156d tév Opaxóv tav
Zahpoé
Sos iatpv, ot Agyovtar rai araBavatitew.
50 DL. 8. 41 = Hermippus, fr. 20 Wehrli; cf. Hdt. 4. 95. 4-5. See Burkert (above, note 3)
155-59; Dodds (above, note 38) 144, 165-66; W. K. C. Guthrie, A History of Greek
Philosophy I (Cambridge 1962) 158-60; D. Asheri, “Herodotus on Thracian Society and
History,” in Hérodote et les peuples non grecs, Entretiens Hardt 35 (Vandoeuvres-Geneva
1988) 148-49 and (the discussion between Asheri and Burkert) 166-67. The fundamental
study is K. Meuli, “Scythica,” Hermes 70 (1935) 121-76 = Gesammelte Schriften Il (Basel
1975) 817-79.
! The evidence is to be found in the fragments of Euripides’ Erechtheus. See R. Parker,
“Myths of Early Athens,” in J. Bremmer (ed.), Interpretations of Greek Mythology (London
1987) 202-04.
Página 14
Ver en el PDF(se abre en una ventana nueva)(“Exkurs II: Oknos”). There are two unexplained features of this account.
In the first place, “we are never told what Oknos did to merit this
punishment” (H. A. Shapiro, Personifications in Greek Art [Zurich 1993]
178). In the second place, the man’s name is surprising, inasmuch as his
punishment “exemplifies futility rather than hesitation or timidity” (D. A.
Russell and N. G. Wilson [eds.], Menander Rhetor [Oxford 1981] 231).
Both these features can, I think, be accounted for by reference to a story told
by Nicander and Aelian, and examined by Malcolm Davies in “The Ancient
Greeks on Why Mankind Does not Live Forever,” MH 44 (1987) 65-75. (I
should like to thank Dr. Helma Dik for bringing this article to my attention
and for initiating the skein of thought that resulted in this Appendix.)
Nicander, Theriaca 343-58 and Aelian, De Natura Animalium 6. 51 recount
the story of the ass and the dipsas. According to the tale, Zeus wished to
reward those mortals who had denounced Prometheus’ theft of fire by
giving them a remedy against aging. But they, out of laziness (vwBeís .. .
xduvovteg, Nic. Ther. 349; N. Hopkinson, A Hellenistic Anthology
[Cambridge 1988] 145 prefers to follow the deteriores and read voßei, in
agreement with the ass, for reasons which I do not find compelling), handed
over the remedy to an ass to carry. As it was summer, the ass was very
thirsty. It came to a spring guarded by a snake. (Compare the underworld
pool that has guards posted over it, in the hexameter texts giving
instructions to the souls of the deceased.) The ass is only too happy to trade
its burden, the value of which it does not know, for a drink from the spring.
As a result, the snake receives from the ass the remedy against old age, so
that it is able to slough off its skin and be periodically rejuvenated. In
addition, the snake takes on the ass’ burning thirst (an aition for the name
“dipsas”).
There is no explicit connection between this story and that of Ocnus
and his ass. But the two stories complement each other perfectly. As
Davies (70) notes, the story of the ass and the dipsas seems truncated, as it
does not specify a punishment of the ass to balance that of the snake. But
that punishment may be supplied from the story of Ocnus, which places the
ass in the underworld. As we saw above, there is no explicit explanation for
the presence of Ocnus and his ass in the underworld. (We may also imagine
that the story of the ass and the dipsas supplies the original explanation for
the proverb concerning the ass and the mysteries: As punishment for
having squandered the gift of immortality, the ass must serve the mysteries
in some menial capacity.) And the story of the ass and the dipsas suggests
an explanation for the name of Ocnus: Instead of speedily conveying the
gift of perpetual youth to the rest of mankind, Ocnus lazily (piger is Pliny’s
gloss on Ocnus’ name: NH 35. 137) and carelessly entrusts it to an ass. And
yet, the punishment fits the crime. Ocnus spends eternity braiding a rope,
presumably the one with which he intends to secure the burden on his ass.
And so the punishment exemplifies not only futility, but also endless delay.
Página 15
Ver en el PDF(se abre en una ventana nueva)It may be objected that there are too many loose ends, that there is
nothing that ties one story explicitly to the other, that the plural
“denouncers” in Nicander and Aelian do not mesh with the singular sinner
Ocnus. And, further, we are bound to wonder how (if at all) this is all
connected with the Jewish and Pythagorean precept regarding the collapsing
ass. But we must remember that this whole nexus of accounts is associated
with the mysteries. (See especially Graf, who suggests a possible
connection—although not the one proposed here—between Ocnus and the
mysteries.) And it is entirely possible, perhaps even likely, that only odds
and ends of the account known fully to the initiates ever surfaced in the
texts that have survived to us, and that those odds and ends were subject to
the kinds of alterations and embroideries that even coherent narratives have
been known to suffer.
University of Illinois at Urbana-Champaign