| Adkins, C | The Technique of the Monochord | 1967 |
| Adkins, C.D. | The symbolic and religious uses of the monochord | 1963 |
| Afonasin, E. | Ptolemais of Kyrene. The pythagorean elements of music (RUSSISCH) | 2012 |
| Afonasina, A. | The birth of harmony out of the spirit of tekne | 2012 |
| Akerman, S. | Stiernhielm Pythagorizans and the unveiling of Isis | 1999 |
| Alves, B. | The Just Intonation System of Nicola Vicentino | 1989 |
| Alves, B. | Digital harmony of sound and light | 2005 |
| Amick, C. | The influence of Greek musical thought on early Western theory | 2007 |
| Amodio, B.A. | The world made of sound: Whitehead and pythagorean harmonia in the context of Veda and the science of mantra | 1992 |
| Anonymus | Pythagoras in der Schmiede | |
| Anonymus | PYTHAGOREAN VIEWS ON MUSIC abstracts | 2009 |
| Anonymus | PYTHAGORAS WAS WRONG: THERE ARE NO UNIVERSAL MUSICAL HARMONIES, STUDY FINDS. | 2024 |
| Arnold, M. | Die Macht der Vernunft. Eine historische Untersuchung zur Musik als einem Instrument der Philosophie | 1999 |
| Arrocha, R. | Pitagorismo y Platonismo en la teoria musical de jean Jacques Rousseau | 2008 |
| Atilano, D. | Pitágoras: número, música y proporción | 2009 |
| ATILANO, D. | La relación entre la música y la arquitectura en la antigua Grecia | 2012 |
| Babich, B. | Mousike techne: The Philosophical Practice of Music in Plato, Nietzsche, and Heidegger | 2005 |
| Bagby, J.R. | How the Musicology and Metaphysics of Taras Shaped Athenian Philosophy | 2025 |
| Barbera, A. | The consonant eleventh and the expansion of the musical tetractys:a study of ancient pytagoreanism | 1964 |
| Barbera, A. | Placing Sectio Canonis in Historical and Philosophical Contexts | 1984 |
| Barbera, C.A. | Arithmetic and geometric divisions of the Tetrachord | 1977 |
| Barbieri, P. | Pythagorean and éxpressive-function' intonation | 2008 |
| Barbieri, P. | The pythagorean and syntonic systems reconciled 1780 -n1875 | 2008 |
| Barbour, M.J. | The persistence of the pythagorean tuning system | 1932 |
| Barker, A. | Music and Perception: A Study in Aristoxenus | 1978 |
| Barker, A. | Methods and aims in the Euclidian Sectio Canonis | 1981 |
| Barker, A. | Aristides Quintilianus and constructions in early music theory | 1982 |
| Barker, A. | Aristoxenes' theorems and the foundations of harmonic science | 1984 |
| Barker, A. | Introduction | 1989 |
| Barker, A. | Three Approaches to Canonic Division | 1991 |
| Barker, A. | Plato and Aristoxenus on the nature of .. | 1991 |
| Barker, A. | Three Approaches to Canonic Division | 1991 |
| Barker, A. | Mathematical beauty made audible; musical aethetics in Ptolemy's harmonics | 2010 |
| Barker, A.D. | Words for sounds | 2002 |
| Baskevich, F. | Le son est nombre. : variations sur la légende des marteaux de Pythagore | 2010 |
| Baskevitch , F. | Arithmétique et musique en Grèce ancienne : Instruments, intervalles, nombres | 2014 |
| Beek, R. v. | Van Pythagoras tot levenslied | 1999 |
| Belis, A. | Auloi grecs du Louvre | 1984 |
| BELLIA, A. | MUSICAL AND DANCE PERFORMANCES AROUND THE APOLLO’S STATUE:A CASE FROM SOUTH ITALY | 2019 |
| Benade, A. H. | The pythagorean theorem of musical mathematics | 1961 |
| BENAKIS, L.G. | Byzantine Musical Theory (Harmonics). | 2018 |
| Bennett, V. | Thoughts from Pythagoras | 1945 |
| Beschi, L. | La prospettiva mitica della musica greca | 1991 |
| Bevegni,C. | I liguri "dalle sette costole | 1984 |
| Bindel, E. | Verwandtschaft der gleichmassigen Zwolfertempierung mit der pythagoreischen Stimmung | 1985 |
| Bobo de la Pena, M. | Monochord and harmonic canon: two comments on Ptol. Harm. 2.12 and 2.13 | 2011 |
| Boccadoro, B. | Elements de grammaire melancolique | 2004 |
| Boccodora, B. | Il Pitagorismo del quinto secola | 2002 |
| Borlik, T.A. | Unheard Harmonies: The Merchant of Venice and the Lost Play of Pythagoras | 2016 |
| Borzacchini, L. | A mathematica notebook about ancient greek music and mathematics | |
| Borzacchini, L. | Incommensurability, music and continuum: a cognitive approach | 2007 |
| Boshnakova, A. | “From the Visible to the Invisible” – Musical Meta- physics from the 6th and 5th Centuries B.C. | 2004 |
| Bourodimos, E. | The mathematics of music as Number and harmony of reality and being | 1992 |
| Bowen, A.C. | The Minor Sixth (8:5) in early Greek Harmonic Science | 1978 |
| Bragard, R. | Le pretendu traite de musique du Codex Parisinus Latinus 7221 | 1927 |
| Brancacci | Music and Philosophy in Damon of Oa | 2019 |
| Brancacci, A. | Diogene di Babilonia e Aristosseno nel 'de musica' di Filodemo | 1993 |
| Brancacci, A. | LA MUSICA IN ETÀ ELLENISTICA | 2018 |
| Brancacci, A. | LA MUSICA IN ETÀ ELLENISTICA | 2018 |
| Brancacci, A. | Music and Philosophy in Damon of Oa | 2019 |
| Bray, R. | Music and the Quadrivium in early Tudor England 2017 | 1995 |
| Cagnoli Fiecconi, E. | Harmonia, Melos, and Rhythmos: Aristotle on Musical Education | 2016 |
| Calderon Urreiztieta, C. | The monochord according to Marin Mersenne: bits, atoms and some surprises | 2008 |
| Caleon, I. | From Music to Physics: The Undervalued Legacy of Pythagoras | 2007 |
| Carle, M. | Geschenke der Musen im Streit ihrer Gehorigkeit | 2007 |
| Cazden. N. | Pythagoras and Aristoxenos Reconciled | 1958 |
| Cerny, M.K. | Zur Problematik der altgriechischen 'Tonarten' | 1988 |
| Chabrier, J.C. | Elements dúne approche comparative des echelles theoretiques arabo-irano-turques | 1985 |
| Ciancaglini, C.A. | Le teorie acustiche dei Greci,:Quantificazione numerica e calcolo nello studio degli intervalli musicali | 1991 |
| Ciancaglini, C.A. | Le teorie acustiche dei Greci,:L'acustica musicale nei primi Pitagorici | 1991 |
| Clements, E. | The interpretation of Greek music: an addendum | 1936 |
| Cole, E.B. | Demonstrating the Pythagorean Intervals | 1988 |
| Colombo, A. | Concerta | 1984 |
| Comotti, G. | L'endecacordo di Ione di Chio | 1972 |
| Consolo Langher, S.N. | La concezione della musica nell'opera di Francesco Maurolico e nel pensiero speculativo greco | 1975 |
| Coral Morales V, M. del | El desequilibrio de la proporcion | 2007 |
| Correa Pabon, G. | Teoria de la proporcion pitagorica | 2006 |
| Covey-Crump, R. | Pythagoras at the forge: tuning in early music | 1992 |
| Crocker, R.L. | Pythagorean Mathematics and Music | 1963 |
| Crotch, D. | On the derivation of the scale, tuning, temperament, the monochord etc | 1861 |
| Cummings, A.M. | Musical references in Brucioli's Dialogi an their classical and medieval antecedents | 2010 |
| Czerwenka Papadopoulos, K. | Das Identifikationportret (TRAVESTIE) (z.B. Apollo, Oroheus, David, Jubal, PythagorasJubal usw.) | 2008 |
| Dambicourt, J.P. | Le nombre dór et la fin du pythagorisme musical | 1988 |
| Diago Jimenez, J.M. | THE PYTHAGOREAN, PLATONIC AND ARISTOXENIAN MUSICAL THOUGHT OF ARISTIDES QUINTILIAN | 2018 |
| Dijksterhuis, E.J. | Interval en Verhouding | 1940 |
| Dirtu, C. | Pythagoras, Plato, and the Lyre-Soul | 2018 |
| Dornseiff, F. | Die Buchstaben zugleich die Zahlen und die Musiknoten- pythagoreisches | 1922 |
| Drake, S. | Renaissance music and experimental science | 1970 |
| Duran, C. | Ptolemais of Cyrene (3rd century BC) and the musical theory in Ancient Greece (in Spaans) | 2023 |
| Duysinx, F. | Aristide Quintilien et les modes musicaux antiques | 1992 |
| Dyer, J. | Speculative ‘Musica’ and the Medieval University of Paris Boethius’ De institutione musica | 2009 |
| Edgecombe, R.S. | Popolaresco, peasants and primitivism | 2012 |
| Edmiston, J. | Boethius on Pythagorean Music | 1974 |
| Else, G.F. | Addendum to "Imitation in the fifth century" | 1958 |
| Eriksson, E.Z. | Pythagoras tree | 2000 |
| Erven Dorens, C. van | De miskende Pythagoras | 1933 |
| Farago, Z. | Stimmungen von Tasteninstrumenten | 2001 |
| Feldman, J. | Jill Feldman en Kees Boeke: samensmelten in pythagorische stemming | 2002 |
| Feldmann, H. | Das Monochord, sein Weg von der Pythagoraischen Musikwissenschaft zur Prufung der oberen Horgrenze | 1995 |
| Figari, J. | Les premiers pythegoriciens de la "catharsis" musicale | 2000 |
| Figari, J. | Actualite de la theorie pythagoricienne de la musique | 2006 |
| Figari, J. | Musique et chez les Sophistes | 2007 |
| Finiello Z, D. | Symbolism in Proportion | 1976 |
| Finney, G.L. | Ecstasy and Music in Seventeenth-Century England | 1947 |
| Focht, I. | La notion pythagoricienne de la musique | 1994 |
| Fongoni, A. | L'educazione di Telesia di Tebe fra tradizione e innovazione | 2006 |
| Fontana, F. | Manipolazioni del mito e tradizione: il caso di ercole musico | 2004 |
| Foss, A.H. | Neural correlates of the Pythagorean ratio rules | 2007 |
| Franklin, J.C. | Diatonic music in Greece: a reassessment of its antiquity | 2002 |
| Frazer, P.A. | The Development of Musical Tuning Systems | 2001 |
| Friberg, J. | Seven-sided star figures and tuning algorithms in Mesopotamian, Greek, and Islamic texts | 2011 |
| Frings, G. | Dosso dossis Allegorie der Musik und die Tradition des inventor musicae in Mittelalter und Renaissance | 1992 |
| Fubini, E. | Yves-Marie Andre e la tradizione pitagora nella musica | 1971 |
| Fuhrmann, W. | Ancient music theory and the natural science revolution of the early modern age | 2007 |
| Garrido Domene | La tradición musical antigua en autores latinos de los siglos vi-vii | 2023 |
| Gerlach, O. | The use of microtones in plainchant since Pythagoras in Italy, Boethius in Rome and Justin in Constantinople | 2012 |
| Gersh, S. | Plotinus on Harmonia. Musical metaphors and their uses in the Enneads | 2005 |
| Glaz, S. | Between Heaven and Earth! A Poem-Collage Pair About Hypatia of Alexandria | 2023 |
| Gottschalk, H.B. | The de audibilibus and peripatetic acoustics | 1968 |
| Gozza, P. | Introduction | 2000 |
| Griffel, D.H. | Taming the pythagorean wolf | 1988 |
| Griffioen, D. | De mira harminia planetarum: Wthanasius Kirchers opvattingen over de musica mundana | 2000 |
| Grigoletto, L. | Sinfonia e confessione. Forme letterarie e pitagorismo in José Vasconcelos e María Zambrano | 2018 |
| Guillen, S.V. | Un fresco de Rafael, un desconocido Boecio y un diapason | 2006 |
| Hagel, S. | Zur physikalischen Begrundung der pythagoreischen Musikbetrachtung | 2001 |
| Hall, W. | The Mathematics of Musical Instruments | 2000 |
| Hamilton, A. | The sound of music | 2007 |
| Handschin, J. | The scale | 1950 |
| Handschin, J. | The "Timaeus"Scale | 1950 |
| Harap, L. | Some Hellenic Ideas on Music and Character | 1938 |
| Harran, D. | An early modern Hebrew poem on music in the beginnings and at the end of time | 2011 |
| Harvey, M. F. | Pythagoras and the Scales | 1932 |
| Headlam Wells, R. | Number symbolism in the Renaissance Lute Rose | 1981 |
| Heard, M. | Concepts musicaux en pensee politique: l'analogie est-elle feconde? | 2004 |
| Hecht, L. | Que es la coma pitagorica? | 2005 |
| Helm, E.E. | The vibrating string of the Pythagoreans | 1967 |
| Hero, B. | Paintings based on relative pitch in music | 1975 |
| Hero, B. | Drawings based on laser lissajous figures and the lambdoma diagram | 1978 |
| Herzfeld-Schild, M. | (voorwoord) | 2014 |
| Hicks, A. | Re-interpreting an Arithmetical Error in Boethius’s | 2016 |
| Holzer, A. | Das Wiederaufleben pythagoreischer Traditionene im 20. Jahrhundert | 2005 |
| Honingh, A. | De kracht van wiskunde in muziekonderzoek | 2009 |
| Honingh, A. | Mathematische muziektheorie:Nieuwe mogelijkheden voor muziekgerelateerd onderzoek | 2009 |
| Howlett, D. | Apollinis eclipsatur: Foundation of the "Collegium musicorum" | 2005 |
| Huchzermeyer, H. | Die Bedeutung des Rythmus in der Musiktherapie der Griechen | 1974 |
| Huffman, C.A. | Response to Barker | 2010 |
| Hughes, R.V. | Pars prima | 1996 |
| Huijstee, T. van | Van Pythagoras naar Xenakis | 1981 |
| Ilnitchi, G. | MUSICA MUNDANA, ARISTOTELIAN NATURAL PHILOSOPHYAND PTOLEMAIC ASTRONOMY | 2002 |
| Jahnn, H.H. | DIE WIEDERKEHR DER PROPORTIONORGEL UND HEIL AUF DER SUCHE NACH HARMONIA (I.TEIL EINER STUDIE VON GWM) | |
| Jahnn, H.H. | Die Wiederkehr der Proportion. Orgel und Heil - auf der Suche nach Harmonia. II Teil | 2005 |
| Jordania, R. | El folklore musical georgiano y sus vinculos con la Grecia antiqua y con Espana | 1956 |
| Kappraff, J. | Music in art | 2005 |
| Karallus, M. | Schlangenbeschworung und Pythagoras verbindend | 1983 |
| KAYA, D. | THE RELATION BETWEEN MONOCHORD WIRE DIVISIONS AND HARMONICS (turks) | 2017 |
| Kennedy, J.B. | A emphatic patern in the frame | 2014 |
| Kennedy, J.B. | Musical structure in the symposium | 2014 |
| Khafizou, T. | “Musica Universalis” Theory by Pythagoras in Global & Human scope. Historical Review: from Antiquity until 21st century. | |
| Kiesewetter, R.G. | Uber die Octave des Pythagoras | 1848 |
| Kittler, F. | Honig der Sirenen: Logos der Musik | 2005 |
| Kivy, P. | Musical Morality | 2009 |
| Koller, H. | Stoicheion | 1955 |
| Koller, H. | Musik bei Plato und den Pythagoreern. | 1981 |
| Konoval, B. | What does Science Have to Do with Music? | 2005 |
| Konoval, B. | Pythagorean Pipe Dreams? Vincenzo Galilei, Marin Mersenne, and the Pneumatic Mysteries of the Pipe Organ. | 2018 |
| Koytak, H.T. | The Pythagorean Shift In The Ottoman Musical Writings | 2016 |
| Kubies, G. | JUBAL, PIERWSZY MUZYK W DZIEJACH ŚWIATA? | 2013 |
| Kuttner, F.A. | A "pythagorean" Tone-system in China | 1958 |
| Kytzler, B. | Die Weltseele und der Musikalische Raum | 1959 |
| Laborde, D. | Des passions de l'ame au discours de la musique | 1994 |
| Lamb, E. | Strumming the lute of Pythagoras | 2013 |
| Landels, J.G. | The reconstruction of ancient greek auloi | 1981 |
| Landerer, C. | Hanslick's Deleted Ending | 2017 |
| Larson, J, | The music of Orpheus | 2002 |
| Lazzaro, F. | A proposito di Marrou, Augostino e la musica | 2010 |
| Lee, A. | Response to Netz | 2010 |
| Lenz, M.A. | A Prophet of Divine Wisdom?—Giambattista Vico and the Construction of the Pythagorean Myth. | 2020 |
| Levarie, S. | The Pythagorean Table | 1974 |
| Levin, F.R. | Synesis in Aristoxenian theory | 1972 |
| Levin, F.R. | and in the harmonika of Klaudios Ptolemaios | 1980 |
| Levy, F. | Plaidoyer pour une oreille subjective et partisane: une approche pythagoricienne de la perception culturelle des intervalles. | 1998 |
| Liern, V. | Fuzzy tuning systems: the mathematics of musicians | 2005 |
| Lippman, E.A. | Hellenic Conceptions of Harmony | 1963 |
| Loosen, F. | Intonation of solo violin performance with reference to equally tempered pythagorean and just intonations | 1993 |
| Loosen, F. | Tuning of diatonic scales by violinists, pianists, and nonmusicians | 1994 |
| Loosen, F. | The Effect of Musical Experience on the Conception of Accurate Tuning | 1995 |
| Lord, C. | On Damon and music education | 1978 |
| Lynch, T.A.C. | Tuning the Lyre, Tuning the Soul’ Harmonia, Justice and the Kosmos of the Soul in Plato’s Republic and Timaeus | 2020 |
| Maier, H. | Versuche mit dem Monochord | 2000 |
| Marisi, R. | Achieving Harmony through Music: A Comparison between Ancient Greek and Chinese Thought | 2020 |
| Martin, M.F.M. | Nuevas perspectivas en la historia de la estetica musical: el pensamiento de Pitagoras y los pitagoricos | 2013 |
| Mason, J.A. | Comparison of solo and ensemble performances with references to Pythagorean, just and equi-tempered intonations | 1960 |
| Mathiesen, T.J. | Aristides Quintilianus and the Harmonics of Manuel Bryennius | 1983 |
| Mathiesen, T.J. | Harmonia and ethos in ancient greek music | 1984 |
| Matzka, W. | Kritische Berechnungen der musikalischen Tone und der diatonische Tonleitern | 1882 |
| Mazzarella, P. | The square dance of eternal objects | 1993 |
| McClain, E. | Pythagorean paper folding - a Study in Tuning and Temperament | 1970 |
| McClain, E. | Chinese cyclic tunings in late antiquity | 1979 |
| McClain, E.G. | Musical Theory and Ancient Cosmology | 1994 |
| McClain, E.G. | The harmonic series as a universal scientific constant | 2003 |
| McClary, S. | Music, the Pythagoreans, and the Body | 1995 |
| McKay, J.Z. | The Structure of Plato’s Dialogues and Greek Music Theory: A Response to J. B. Kennedy | 2016 |
| McKinnon, J. | Jubal vel Pythagoras, quis sit inventor musicae? | 1998 |
| McKinnon, J.W. | Jubal vel Pythagoras, quis sit inventor musicae? | 1978 |
| Meijsing, G. | Enige kanttekeningen bij de constructie van de Erwin-triologie | 1988 |
| Meriani, A. | Teoria musicale e antiempirismo … | 1998 |
| Meyer, A. | Pythagoras renewed for our common global future | |
| Michels-Gebler, R. | Pythagoras in der Schmiede: Eine Pythagoraslegende | 1984 |
| Miles, G. | Music and Immortality: The Afterlife of Achilles in Philostratus’ Heroicus | |
| Minet, N. | Du monocorde de Pythagore aux frettes de guitare | 2007 |
| Molina Morena, F. | The Pleiads, or the first cosmic lyre | 2008 |
| Molina Morena, F. | Iconografia de la magia musical (Orfeo entre los artistas | 2010 |
| Moller, D. | Bach and Pythagoras. Letter: SCHEIE, A. Bach and God. | 2021 |
| Moller, D.. | Bach and Pythagoras | 2021 |
| Moretti, G. | Tolomeide di Cirene. Musicologa dell' antichita | 2004 |
| Morf, I. | Musik im Weltall | 2003 |
| Moro Tornese, S.F. | Cyphi in the Hermetic and Pythagorean traditions Gifico. Entry in the database Simon Online | |
| Moro Tornese, S.F. | Music as therapy: the analogy between music and medicine in neoplatonism | 2015 |
| Moro Tornese, S.F. | Lyra and aulos in the Neoplatonic allegorical interpretation of myths | 2016 |
| Mountford, J. | Music and the Romans | 1964 |
| Munxelhaus, B. | Aspekte der musica disciplina bei Eriugena | 1977 |
| Najock, D. | Aristoxenos und die Auloi | 1996 |
| Netz, R. | What did Greek mathematicians find beautiful? | 2010 |
| Nolan, C. | Music theory and mathematics | 2002 |
| Nowak, A. | Die 'numeri judiciales' des Augustinus und ihre musiktheoretische Bedeutung | 1975 |
| O'Meara, D.J. | The music of philosophy in late antiquity | 2005 |
| Oberkogler, F. | Horen, ein inneres Sehen. Pythagoras und die Geheimnisse der Ober und Untertonreiche | 1974 |
| Obertynski, Z. | Fletnia Jubala i mlotki Pitagorasa | 1956 |
| Opsopaus | Music and the major arcana | 2000 |
| Opsopaus, J. | Greek esoteric music theory charts | 1999 |
| Papdopoulos, A. | Mathematics and Music Theory: I-tom Pythagoras to Rameau | 2002 |
| Paraskeui, | PROJECT | 2019 |
| Parncutt, R.G. . | A Psychocultural Theory of Musical Interval: Bye Bye Pythagoras | 2018 |
| Pascha, K.S. | Die Zahlenlehre Pythagoras | 2004 |
| Pataki, E. | Ordre musical et sagesse instinctive: quelques notions pythagoriciennes chez Clement d'Alexandria | 2003 |
| Pereira, A.R. | A estetica musical em Aristoxeno de Tarento | 1995 |
| Perrett, W. | The heritage of Greece in music | 1931 |
| Pesic, P. | Hearing the irrational. Music and the development of the modern concept of number | 2010 |
| Pesic, P. | Euler’s musical mathamtics. | 2013 |
| PETROFF, V.V | ART, SCIENCE AND PAIDEIA IN ARISTIDES QUINTILIANUS’ DE MUSICA (in Russian) | 2021 |
| Peursen, C.A. v. | De magische muziek in het vroege Pythagorisme | 1947 |
| Phillips, S.M. | New pythagorean aspects of music and their connections to superstrings | 2002 |
| Phillips, S.M. | The pythagorean nature of superstring and bosonic string theories | 2002 |
| Phillips, S.M. | The connection between Fibonacci numbers and the Pythagorean musical scale | 2004 |
| Phillips, S.M. | The 1680 circularly polarized oscillations in the E8×E8 heterotic superstring as 1680 harmonics of the Pythagorean musical scale | 2004 |
| Phillips, S.M. | Comparison of the eight Church musical modes and the human skeleton as holistic systems | 2004 |
| Phillips, S.M. | The geometrization of the seven musical scales and its mathematical implications | 2004 |
| Phillips, S.M. | The seven octaves of the seven musical scales are a Tree of life pattern mirrored in the disdyakis triacontahedron | 2004 |
| Phillips, S.M. | Derivation of the bone and classical acupuncture compositions of the human body and their relationship to the seven musical scales | 2004 |
| Phillips, S.M. | The musical nature of the polyhedral Tree of Life | 2004 |
| Phillips, S.M. | How the seven musical scales relate to the disdyakis triacontahedron | 2004 |
| Phillips, S.M. | The tone intervals of the seven octave species and their correspondence with octonion algebra and superstrings | 2004 |
| Phillips, S.M. | The mathematical connection between superstrings and their mico-psi description: a pointer towards M-theory | 2004 |
| Phillips, S.M. | The Music of Superstrings | 2004 |
| Pintore, A. | Musiacla symbolism in the works of Leon Battista Alberti | 2004 |
| Pongsarayuth | Pythagorean Music Theory and Its Application in Renaissance Architectural Design | 2024 |
| Poulle, B. | De la musique sur le forum | 2002 |
| Pouls, N. | 'Klassiek afgestemd. De opkomst en de teloorgang van de Pythagoreïsche stemming in de middeleeuwen' | 2017 |
| Pourciau, | Pythagoras in the Laboratory | 2020 |
| Privitera, M. | Pittori e musici nell’Italia del Cinque e Seicento | 2014 |
| Provenza,, A. | Aristoxenus and Music Therapy. Fr_26_Wehr | 2012 |
| Raasted, J. | A Neglected Version of the Anecdote about Pythagoras's Hammer Experiment | 1979 |
| Rabbaa, A. | Modeling and measuring of the oriental musical scale | 2006 |
| Rebotier, J. | L'art de musique chez Michel Maier | 1972 |
| Redondo Reyes, P. | Pitagoras en la herreire: variaciones sobre un episodio legendario | 2005 |
| Rehding, M. | Instruments of music theory | 2016 |
| Reid, H.R. | The Mousikē in Gymnastikē: How Athletic Exercise Promotes Ethical Harmony | 2025 |
| Reilly, R.R. | Is music sacred? | 1999 |
| Reinert, B. | Das Problem des pythagoreischen Kommas in der arabischen Musiktheorie | 1979 |
| Reitman, B. | History of Mathematical Approaches to Western Music | 2003 |
| Richter, L. | "Psellus" Treatise on Music' in Mizler's 'Bibliothek' | 1971 |
| Riedweg, C. | Das Singen der Sirenen | 2015 |
| Riethmuller, A. | Musik zwischen Hellenismus und Spatantike | 1989 |
| Rispoli, G.M. | Fragilita della virtu: (Pherc 424, fr 4-1572 fr 2) | 1992 |
| RIVERA FERNÁNDEZ M. L. | LA SINESTESIA EN LA MÚSICA CONTEMPORÁNEA: Relación entre sonido y color en la composición musical. (Spanish). | 2022 |
| Rivera Fernández, M.L. | Los inicios de la reflexión sobre música y sociedad en la Grecia antigua | 2013 |
| Rocconi, E. | La dottrina aristossenica dell' < ethos> musicale nel < de musica> dello Ps.-Plutarco | 2005 |
| Rocconii, E. | Un manuale al femminile: l'Introduzione pitagorica alla musica di Tolemaide di Cirene | 2001 |
| Rocha, R. | Uma introducao a teoria musical na antiguidade classica | 2009 |
| Rosellini, L. | Per uno studio del simbolico musicale nel medioevo | 1986 |
| Rosenthal, J.S. | The magical mathematics of music | 2005 |
| Ruymbeke, C. van | What does Turandot want? From Puccini’s Freudian riddles, back to Nezami’s silent Pythagorean questions* | 2019 |
| Sachs, K.J. | …maxime locum habet in Comoediis. Die musica pythagorica des Athanasius Kircher: Spielwerk als Sinnbild | 1995 |
| Sachs, K.J. | Kosmisches Gesetz und musikalische Regel | 2005 |
| Salappa-Eliopoulos, A. | Music evolution in ancient Greece and the value of music education in Pseudo-Plutarch's De Musica | 2012 |
| Schlesinger, K. | Further notes on Aristoxenus and musical Intervals | 1933 |
| Schmidt-Biggemann, W. | Pythagoreisches Musiktheater Raum-, Zeit- und Zahlenspekulationen | 2006 |
| Schmidt, M.C.P. | Die Saiten-Harmonie des Pythagoras | 1905 |
| Schneider, M. | ARISTOXENES | 2009 |
| Schottlaender, R. | Musik als Brucke zwichen Mathematik und Medizin in den Anfangen des Pythagoreismus | 1966 |
| Schrade, L. | Music in the Philosophy of Boethius | 1947 |
| Schrader, R.J. | The Inharmonious Choristers and Blacksmiths of MS Arundel 292 | 2007 |
| Schulze, W. | Grundzuge der antiken Musiktheorie | 2010 |
| Schumacher, J. | Musik alas Heilfactor bei den Pythagoreer im Licht ihrer naturphilosophische Anschauungen | 1958 |
| Scully, E.R. | De Musica as the Guide to Understanding Augustine’s Trinitarian Numerology in the De Trinitate | 2013 |
| Sethares, W.A. | Specifying spectra for musical scales | 1997 |
| Shipton, K.M.W. | Heraclitus fr.10: a Musical Interpretation | 1985 |
| Signorile, V. | The Pythagorean Comma: Weber's Anticipation of Sociology in a New Key | 1980 |
| Slim, H.C. | Dosso's allegory at Florence about music | 1990 |
| Snoj, J. | Quis Inventor Musicae: Iubal an Pythagoras? The Gregorian Chant in the History of West European Music | 1998 |
| Solomon, J. | The Diastaltic Ethos | 1981 |
| Solomon, J. | Towards a history of Tonoi | 1984 |
| Spinelli, E | Sesto Empirico contro i musici: contesto e senso di una polemica antica | 2008 |
| Spinelli, E | "Are Flute-Players Better than Philosophers?" Sextus Empiricus on Music, against Pythagoras | 2016 |
| Spinelli, E. | Sesto, Pitagora, la musica | 2014 |
| Staab, G. | Pythagoras und der fruhen Pythagorismus | 2010 |
| Staehelin, M. | Pythagoras und Jubal als "Erfinder" und "Bewahrer" der Musik | 1972 |
| Stahl, W.H. | Pythagoras and Musical Concords. | 1942 |
| Steadman, J.M. | The "inharmonious blacksmith": Spenser and the Pythagoras legend | 1964 |
| Stefanini, L. | Ispirazione pitagorica del "canone" di policleto | 1949 |
| Stefanini, L. | La catarsi musicale dei pitagorici | 1949 |
| Sterne, C.C. | Pythagoras and Pierrot | 1982 |
| Streich, H. | Musikalische Temperaturen in psychologischer Sicht | 1977 |
| Suemi Lemos, M. | Modelos de Antiguidade na teoria musical do Tardo-Renascimento: De Pitágoras a Aristóxeno de Tarento | 2017 |
| Sullivan | ON HORACE’S PYRAMIDS | 2014 |
| Swich, L. | Further thoughts on Bach's 1722 temperament | 2011 |
| Swol, E. van | Spinoza in het werk van Yannis Kyriakides en Joep Franssens | 2007 |
| Tanner, R. | Le probleme des "deux tierces" (Pythagore ou Zarlino) la solution psycharithmetrique et experimentaleI | 1972 |
| Tanner, R. | La these des neo-pythagoriciens sur les rapports musicaux, invalidee par leur propre methode experimentale | 1982 |
| Thierfelder, A. | Die pythagoraische Terz | 1902 |
| Thurn, N. | Die siebensaitige Lyra | 1998 |
| Tonietti, T.M. | Does Newton's music model of gravation work? | 2000 |
| Tonietti, T.M. | The mathematical contributions of Franscesco Maurolico to the theory of music of te 16th century | 2006 |
| Tymoczko, D. | The Shape of Music | 2008 |
| Valtieri, S. | Euclide e Pitagora; proporzioni armoniche e rapporti musicali | 1998 |
| Vardell Sandresky, M. | The Continuing Concept of the Platonic-Pythagorean System and Its Application to the Analysis of Fifteenth-Century Music | 1979 |
| Varoli | “Pythagoreans” and Aristoxenians in Ptolemais’s Pythagorean Elements of Music | 2025 |
| Vassiliadou, M. | Le pythagorisme et la musique | 1985 |
| Verduin, K. | Hammers, music and scales. Jubal watches Tubalcain | 2001 |
| Verduin, K. | Tubalcain, Jubal & Pythagoras: development of the theme of discovery of scales | 2003 |
| Villari, E. | Rhetorique et musique chez Aristoxene de Tarente | 2002 |
| Viret, J. | Musique, nombres, cosmos: quelques reflexions | 1986 |
| Visconti, A. | Musica e attivita politica in Aristosseno di Taranto | 2000 |
| Vogel, M. | Die Sieben in der griechischen Musiktheorie | 1954 |
| Waerden, B.L. van der | Grosse Terz, Oktave und Harmonie | 1960 |
| Walker, D.P. | Kepler's Celestial Music | 1967 |
| Wantzloeben, S. | Das Monochord im Altertum | 1911 |
| Warrack, G. | Music and Mathematics | 1945 |
| WATSON, S.B. | MOUSIKÊ AND MYSTERIES: A NIETZSCHEAN READING OF AESCHYLUS’ BASSARIDES. | 2015 |
| Weiers, H. | Die Quinte in der physikalische Therapie | 1980 |
| Wenham-Prosser, A. | CREATIVITY & SELF-DISCOVERY THROUGH PYTHAGOREAN SUFI MUSIC. | 2018 |
| Wenham, Prosser, A. | PYTHAGOREAN SUFI MUSIC BOOK | |
| Wenham, Prosser, A. | Pythagorean Wisdom and Turkish Makams Mesk in the last century | |
| Wersinger, A.G. | Signification et portée de l’Arithmoupathèsis musicale pythagoricienne | |
| West, M.L. | Analecta musica | 1992 |
| Westbrook, A.P. | Unstruck Sound: Music and Forgotten Truth | |
| Winnington-I, R.P. | The Spondeion Scale | 1928 |
| Winnington-I, R.P. | Aristoxenus and the Intervals of Greek Music | 1932 |
| Wishart, T. | Pythagoras, Fourier, Helmholtz: towards a phenomenology of sound | 1996 |
| Wraight, D. | Pythagoras and the scale Design of Early Harpsichords in France, Germany and Italy | 2004 |
| Wymeersch, B. V. | La philosophie pythagoricienne du nombre et la musique | 1997 |
| Zaminer, F. | Pythagoras und die Anfange des musiktheoretischen Denkens bei den Griechen | 1979 |
| Zampronha, E.S. | Ethos e a teoria musical grega | 1997 |
| Zanoncelli, L. | La filosofia musicale di Aristide Quintiliano | 1977 |
| Zara, V. | Musique et architecture: theories, composition, thrologie (XIII e - XVII e siecles) | 2007 |
| Zenkin, K.V. | On the religious foundations of A.F. Losev's Philosophy of Music | 2004 |
| Zimmermann, H. | Musik ist empfundene, verzeitliche, horbare Mathematik | 1998 |
| Zimmermann. J. | Wandlungen des philosophischen Musikbegriffs | 1976 |
| Zoeller, G. | Taking Music Philosophically | 1991 |
